Every day

Youtube video

Agency: Wieden + Kennedy, London
Art Director: Matt Gooden
Copy: Ben Walker
Directed by: Stink , London

Ian and Irene

Advertising Agency: Saatchi & Saatchi, Canada
Executive Creative Directors: Helen Pak, Brian Sheppard
Art Director: Helen Pak
Copywriter: Brian Sheppard
Logo Design: Tyler Serr
Producer: Matt Shipp
Animation: Track & Field
Design Director: Steven Hollman
Animator: Tom Morrison
Audio: Eggplant

Notes Symphony, Zurich Chamber Orchestra

Visualization of the 1st violin of the 2nd symphony, 4th movement by Ferdinand Ries in the shape of a rollercoaster. The camera starts by showing a close-up of the score, then focuses on the notes of the first violin turning the staves into the winding rail tracks of the rollercoaster. The notes and bars Were Exactly Synchronized with the progression in the animation I know That the typical movements of a rollercoaster ride match the dramatic composition of the music.

Advertising Agency: Euro RSCG , Zurich, Switzerland
Creative Directors: Axel Eckstein, Frank Bodin
Postproduction: Virtual Republic Animation and Visual Effects
Producer: Gerhard Vetter
Animation Director: President M. Klein
3D Technical Director: Martin Chatterjee
3D Modeling: Martin Sobott
3D Animation: Christian Marschalt, Steffen Dünner
Shading: Steffen Dünner
Compositing: Steffen Dünner
Music: Zürcher Kammerorchester
Sound Studio: Audioversum, Düsseldorf

Gustav Johansson

"Flames". Directed by Gustav Johansson

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The beat of New York City

THE BEAT OF NEW YORK - A PRODUCTION STEREOSCREEN

www.stereoscreen.de
www.thomasnoesner.com
www.facebook.com / stereoscreen
www.filmannex.com / timhahne

Thomas Noesner, our DoP, was in New York for a shoot of the new Mercedes R-Class. Right after the job, He Took His camera and strolled through the streets of busting "The City". While screening the pictures of a drummer in the tube station, I had the idea of ​​creating a "remix" of the recorded drum sequence to use it as a soundtrack for the film. That's our SoundDesigner When Toussaint CAME into play ... We composed a track around the drum beat of this guy. Watch and listen to the beat of New York!

35 mm film in 2 minutes

Design Student Pascal Monaco says the film in 35 of his favorite movies in 2 minutes. Is a short film on 35mm film, animation, and very pretty minimal, which simplifies and captures the salient features and key elements of the history of cinema.

Concept / Layout: Sarah Biermann, Torsten Strer, Felix Meyer, Pascal Monaco
Animation: Felix Meyer, Pascal Monaco
Sound: Torsten Strer

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Twitter Interactive Video

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Logorama

Two thousand five hundred logos in 17 minutes. It is the world record for the Logorama, winning the Oscar for animated short. Directed by French collective of graphic and animation H5 (François Alaux, Herve de Crecy and Ludovic Houplain).

Logorama from Diserrolladores on Vimeo .

Less is More

Very minimal these videos, the forms are re-created with simple strokes, giving a very successful.

Advertising Agency: The Brooklyn Brothers, New York, USA
Production / Design: Loyalkaspar, New York
EP / Director: David Herbruck
CD / Designer: Beat Baudenbacher
Senior Producer: Melissa August
Production: Bullet, New York
Producer: Patrick Oliver
Music / Sound Design / Audio Post: Nylon Studios, New York
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Onur Senturk

Nokta. from Onur Senturk on Vimeo .

xx

Marcus Söderlund

OFFF Festival 2009

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Spot on


    >>>>>>>>>>>>>>>>>>>>>>>>>>

    Interview with Stefano Colombo

    WATCH THE VIDEO VIDEO____PLAY >>>>>>>>

    / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /

    Name?
    Stefano Colombo

    Company?
    Publicis

    Could you summarize in a few lines on your professional profile and your work.
    After graduating from the Parsons School of Design in '85 I make a brief but significant work experience in New York. In Milan, before I set my career in various international agencies: JWT, Lowe Pirella, BJKE to joining McCann where I remain for several years. In '92 I get the highest professional recognition: the Grand Prix at Cannes for Levi's. Today I am a creative director of Publicis.

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